David Bowie Guitar Chords

David Bowie


The cliché about David Bowie is that he was a musical chameleon, adapting himself according to fashion and trends. While such a criticism is too glib, there's no denying that Bowie demonstrated a remarkable skill for perceiving musical trends at his peak in the '70s. After spending several years in the late '60s as a mod and as an all-around music hall entertainer, Bowie reinvented himself as a hippie singer/songwriter. Prior to his breakthrough in 1972, he recorded a proto-metal record and a pop/rock album, eventually redefining glam rock with his ambiguously sexy Ziggy Stardust persona. Ziggy made Bowie an international star, but he wasn't content to continue to churn out glitter rock. By the mid-'70s, he'd developed an effete, sophisticated version of Philly soul that he dubbed "plastic soul," which eventually morphed into the eerie avant-pop of 1976's Station to Station. Shortly afterward, he relocated to Berlin, where he recorded three experimental electronic albums with Brian Eno. At the dawn of the '80s, Bowie was still at the height of his powers, yet following his blockbuster dance-pop album Let's Dance in 1983, he slowly sank into mediocrity before salvaging his career in the early '90s. Even when he was out of fashion in the '80s and '90s, it was clear that Bowie was one of the most influential musicians in rock, for better and for worse. Each one of his phases in the '70s sparked a number of subgenres, including punk, new wave, goth rock, the new romantics, and electronica. Few rockers have ever had such lasting impact.

David Jones began performing music when he was 13 years old, learning the saxophone while he was at Bromley Technical High School; another pivotal event happened at the school, when his left pupil became permanently dilated in a schoolyard fight. Following his graduation at 16, he worked as a commercial artist while playing saxophone in a number of mod bands, including the King Bees, the Manish Boys (which also featured Jimmy Page as a session man), and Davey Jones & the Lower Third. All three of those bands released singles, which were generally ignored, yet he continued performing, changing his name to David Bowie in 1966 after the Monkees' Davy Jones became an international star. Over the course of 1966, he released three mod singles on Pye Records, which were all ignored. The following year, he signed with Deram, releasing the music hall, Anthony Newley-styled David Bowie that year. Upon completing the record, he spent several weeks in a Scottish Buddhist monastery. Once he left the monastery, he studied with Lindsay Kemp's mime troupe, forming his own mime company, the Feathers, in 1969. The Feathers were short-lived, and he formed the experimental art group Beckenham Arts Lab in 1969.

Bowie needed to finance the Arts Lab, so he signed with Mercury Records that year and released Man of Words, Man of Music, a trippy singer/songwriter album featuring "Space Oddity." The song was released as a single and became a major hit in the U.K., convincing Bowie to concentrate on music. Hooking up with his old friend Marc Bolan, he began miming at some of Bolan's T. Rex concerts, eventually touring with Bolan, bassist/producer Tony Visconti, guitarist Mick Ronson, and drummer Cambridge as Hype. The band quickly fell apart, yet Bowie and Ronson remained close, working on the material that formed Bowie's next album, The Man Who Sold the World, as well as recruiting Michael "Woody" Woodmansey as their drummer. Produced by Tony Visconti, who also played bass, The Man Who Sold the World was a heavy guitar rock album that failed to gain much attention. Bowie followed the album in late 1971 with the pop/rock Hunky Dory, an album that featured Ronson and keyboardist Rick Wakeman.

Following its release, Bowie began to develop his most famous incarnation, Ziggy Stardust: an androgynous, bisexual rock star from another planet. Before he unveiled Ziggy, Bowie claimed in a January 1972 interview with Melody Maker that he was gay, helping to stir interest in his forthcoming album. Taking cues from Bolan's stylish glam rock, Bowie dyed his hair orange and began wearing women's clothing. He called himself Ziggy Stardust, and his backing band -- Ronson, Woodmansey, and bassist Trevor Bolder -- were the Spiders from Mars. The Rise and Fall of Ziggy Stardust and the Spiders from Mars was released with much fanfare in England in late 1972. The album and its lavish, theatrical concerts became a sensation throughout England, and helped him become the only glam rocker to carve out a niche in America. Ziggy Stardust became a word-of-mouth hit in the U.S., and the re-released "Space Oddity" -- which was now also the title of the re-released Man of Words, Man of Music -- reached the American Top 20. Bowie quickly followed Ziggy with Aladdin Sane later in 1973. Not only did he record a new album that year, he also produced Lou Reed's Transformer, the Stooges' Raw Power, and Mott the Hoople's comeback All the Young Dudes, for which he also wrote the title track.

Given the amount of work Bowie packed into 1972 and 1973, it wasn't surprising that his relentless schedule began to catch up with him. After recording the all-covers Pin-Ups with the Spiders from Mars, he unexpectedly announced the band's breakup, as well as his retirement from live performances, during the group's final show that year. He retreated from the spotlight to work on a musical adaptation of George Orwell's 1984, but once he was denied the rights to the novel, he transformed the work into Diamond Dogs. The album was released to generally poor reviews in 1974, yet it generated the hit single "Rebel Rebel," and he supported the album with an elaborate and expensive American tour. As the tour progressed, Bowie became fascinated with soul music, eventually redesigning the entire show to reflect his new "plastic soul." Hiring guitarist Carlos Alomar as the band's leader, Bowie refashioned his group into a Philly soul band and recostumed himself in sophisticated, stylish fashions. The change took fans by surprise, as did the double-album David Live, which featured material recorded on the 1974 tour.

Young Americans, released in 1975, was the culmination of Bowie's soul obsession, and it became his first major crossover hit, peaking in the American Top Ten and generating his first U.S. number one hit in "Fame," a song he co-wrote with John Lennon and Alomar. Bowie relocated to Los Angeles, where he earned his first movie role in Nicolas Roeg's The Man Who Fell to Earth (1976). While in L.A., he recorded Station to Station, which took the plastic soul of Young Americans into darker, avant-garde-tinged directions, but it was also a huge hit, generating the Top Ten single "Golden Years." The album inaugurated Bowie's persona of the elegant "Thin White Duke," and it reflected Bowie's growing cocaine-fueled paranoia. Soon, he decided Los Angeles was too boring and returned to England; shortly after arriving back in London, he gave the awaiting crowd a Nazi salute, a signal of his growing, drug-addled detachment from reality. The incident caused enormous controversy, and Bowie left the country to settle in Berlin, where he lived and worked with Brian Eno.

Once in Berlin, Bowie sobered up and began painting, as well as studying art. He also developed a fascination with German electronic music, which Eno helped him fulfill on their first album together, Low. Released early in 1977, Low was a startling mixture of electronics, pop, and avant-garde technique. While it was greeted with mixed reviews at the time, it proved to be one of the most influential albums of the late '70s, as did its follow-up, Heroes, which followed that year. Not only did Bowie record two solo albums in 1977, but he also helmed Iggy Pop's comeback records The Idiot and Lust for Life, and toured anonymously as Pop's keyboardist. He resumed his acting career in 1977, appearing in Just a Gigolo with Marlene Dietrich and Kim Novak, as well as narrating Eugene Ormandy's version of Peter and the Wolf. Bowie returned to the stage in 1978, launching an international tour that was captured on the double-album Stage. In 1979, Bowie and Eno recorded Lodger in New York, Switzerland, and Berlin, releasing the album at the end of the year. Lodger was supported with several innovative videos, as was 1980's Scary Monsters, and these videos -- "DJ," "Fashion," "Ashes to Ashes" -- became staples on early MTV.

Scary Monsters was Bowie's last album for RCA, and it wrapped up his most innovative, productive period. Later in 1980, he performed the title role in the stage production of The Elephant Man, including several shows on Broadway. Over the next two years, he took an extended break from recording, appearing in Christiane F (1981) and the vampire movie The Hunger (1982), returning to the studio only for his 1981 collaboration with Queen, "Under Pressure," and the theme for Paul Schrader's remake of Cat People. In 1983, he signed an expensive contract with EMI Records and released Let's Dance. Bowie had recruited Chic guitarist Nile Rodgers to produce the album, giving the record a sleek, funky foundation, and hired the unknown Stevie Ray Vaughan as lead guitarist. Let's Dance became his most successful record, thanks to its stylish, innovative videos for "Let's Dance" and "China Girl," which turned both songs into Top Ten hits. Bowie supported the record with the sold-out arena tour Serious Moonlight.

Greeted with massive success for the first time, Bowie wasn't quite sure how to react, and he eventually decided to replicate Let's Dance with 1984's Tonight. While the album sold well, producing the Top Ten hit "Blue Jean," it received poor reviews and was ultimately a commercial disappointment. He stalled in 1985, recording a duet of Martha & the Vandellas' "Dancing in the Street" with Mick Jagger for Live Aid. He also spent more time jet-setting, appearing at celebrity events across the globe, and appeared in several movies -- Into the Night (1985), Absolute Beginners (1986), Labyrinth (1986) -- that turned out to be bombs. Bowie returned to recording in 1987 with the widely panned Never Let Me Down, supporting the album with the Glass Spider tour, which also received poor reviews. In 1989, he remastered his RCA catalog with Rykodisc for CD release, kicking off the series with the three-disc box Sound + Vision. Bowie supported the discs with an accompanying tour of the same name, claiming that he was retiring all of his older characters from performance following the tour. Sound + Vision was successful, and Ziggy Stardust re-charted amidst the hoopla.

Sound + Vision may have been a success, but Bowie's next project was perhaps his most unsuccessful. Picking up on the abrasive, dissonant rock of Sonic Youth and the Pixies, Bowie formed his own guitar rock combo, Tin Machine, with guitarist Reeves Gabrels, bassist Hunt Sales, and Hunt's brother, drummer Tony, who had previously worked on Iggy Pop's Lust for Life with Bowie. Tin Machine released an eponymous album to poor reviews that summer and supported it with a club tour, which was only moderately successful. Despite the poor reviews, Tin Machine released a second album, the appropriately titled Tin Machine II, in 1991, and it was completely ignored.

Bowie returned to a solo career in 1993 with the sophisticated, soulful Black Tie White Noise, recording the album with Nile Rodgers and his by-then-permanent collaborator, Reeves Gabrels. The album was released on Savage, a subsidiary of RCA, and received positive reviews, but his new label went bankrupt shortly after its release, and the album disappeared. Black Tie White Noise was the first indication that Bowie was trying hard to resuscitate his career, as was the largely instrumental 1994 soundtrack The Buddha of Suburbia. In 1995, he reunited with Brian Eno for the industrial rock-tinged 1. Outside. Several critics hailed the album as a comeback, and Bowie supported it with a co-headlining tour with Nine Inch Nails in order to snag a younger, alternative audience, but his gambit failed; audiences left before Bowie's performance and 1. Outside disappeared. He quickly returned to the studio in 1996, recording Earthling, an album heavily influenced by techno and drum'n'bass. Upon its early 1997 release, Earthling received generally positive reviews, yet the album failed to gain an audience, and many techno purists criticized Bowie for allegedly exploiting their subculture. hours... followed in 1999. In 2002, Bowie reunited with producer Toni Visconti and released Heathen to very positive reviews. He continued on with Visconti for Reality in 2003, which was once again warmly received.

Bowie supported Reality with a lengthy tour but it came to a halt in the summer of 2004 when he received an emergency angioplasty while in Hamburg, Germany. Following this health scare, Bowie quietly retreated from the public eye. Over the next few years, he popped up at the occasional charity concert or gala event and he sometimes sang in the studio for other artists (notably, he appeared on Scarlett Johansson's Tom Waits tribute Anywhere I Lay My Head in 2008). Archival releases appeared but no new recordings did until he suddenly ended his unofficial retirement on his 66th birthday on January 8, 2013, releasing a new single called "Where Are We Now?" and announcing the arrival of a new album. Entitled The Next Day and once again produced by Visconti, the album was released in March of 2013. Greeted with generally positive reviews, The Next Day debuted at either number one or two throughout the world, earning gold certifications in many countries.

The following year, Bowie released a new compilation called Nothing Has Changed, which featured the new song "Sue (Or in a Season of Crime)." This song turned out to be the cornerstone of Bowie's next project, Blackstar. Arriving on January 8, 2016, the album found Bowie re-teaming with Tony Visconti and exploring adventurous territory, as signaled by its lead single, "Blackstar." Just two days after its release, it was announced that David Bowie had died from liver cancer. In a Facebook post, Tony Visconti revealed that Bowie knew of his illness for at least 18 months and created Blackstar as "his parting gift." It topped several national charts -- including the Billboard 200, which made it his first number one album in the U.S. By the autumn of 2016, posthumous projects began to surface, including Who Can I Be Now? -- a collection of his mid-'70s albums that functioned as a sequel to the previous year's box set Five Years -- and the release of the cast recording to Lazarus, the Broadway musical he completed in his final years. On January 8, 2017 -- the year anniversary of the release of Blackstar -- the No Plan EP, containing Bowie's versions of songs heard in the Lazarus musical, was released. A New Career in a New Town -- the third volume of retrospective box sets, this installment focusing on his recordings of the late '70s -- appeared in September 2017. The following year, the fourth retrospective box -- Loving the Alien -- was released and featured albums issued between the years 1983 and 1988. Included was Bowie's biggest-selling '80s album, Let's Dance -- alongside a selection of live releases -- as well as a 2018 production of his 1987 album Never Let Me Down, featuring string arrangements by Nico Muhly and production from Mario McNulty. ~ Stephen Thomas Erlewine, Rovi
Genres: art rock, dance rock, glam rock, new wave, permanent wave, protopunk, rock

Guitar Chords:

87 And Cry
A Better Future
Absolute Beginners
Absolute Beginners (ver. 2)
Absolute Beginners (ver. 3)
Absolute Beginners (ver. 4)
Across The Universe
Across The Universe (ver. 2)
Afraid (ver. 2)
After All
Alabama Song
Aladdin Sane
Aladdin Sane (ver. 2)
All The Madmen
All The Madmen (ver. 2)
All The Madmen (ver. 3)
All The Young Dudes
All The Young Dudes (ver. 2)
All The Young Dudes (ver. 3)
All The Young Dudes (ver. 4)
Alternative Candidate
Always Crashing In The Same Car
America Live
Amsterdam (ver. 2)
Andy Warhol
Andy Warhol (ver. 2)
An Occasional Dream
An Oddity On Mars
Anyway Anyhow Anywhere
Ashes To Ashes
Ashes To Ashes (ver. 2)
Ashes To Ashes (ver. 3)
Ashes To Ashes (ver. 4)
As The World Falls Down
As The World Falls Down (ver. 2)
As The World Falls Down (ver. 3)
As The World Falls Down (ver. 4)
Baals Hymn
Baby Can Dance
Baby Universal
Bang Bang
Battle For Britain
Beat Of Your Drum
Because Youre Young
Be My Wife
Bewlay Bros
Bewlay Brothers
Bewlay Brothers (ver. 2)
Big Brother
Blue Jean
Born In A Ufo
Boss Of Me
Boys Keep Swinging
Bring Me The Disco King Lohner
Buddha Of Suburbia
Bus Stop
Candidate (ver. 2)
Cant Help Thinking About Me
Can You Hear Me
Cat People Putting Out Fire
Changes (ver. 2)
Changes (ver. 3)
Chant Of The Ever Circling Skeletal Family
China Girl
China Girl (ver. 2)
China Girl (ver. 3)
Come And Buy My Toys
Conversation Piece
Conversation Piece (ver. 2)
Crack City
Cracked Actor
Criminal World
Dancing In The Street
Day In Day Out
Days (ver. 2)
Dead Man Walking
Dead Man Walking Acoustic
Diamond Dogs
Diamond Dogs (ver. 2)
Dirty Boys
Dollar Days
Dollar Days (ver. 2)
Dollar Days (ver. 3)
Dont Bring Me Down
Dont Look Down
Drive-In Saturday
Drive-In Saturday (ver. 2)
Drive-In Saturday (ver. 3)
Eight Line Poem
Even A Fool Learns To Love
Everyone Says Hi
Everyone Says Hi (ver. 2)
Everythings Alright
Fall Dog Bombs The Moon
Fantastic Voyage
Fill Your Heart
Five Years
Five Years (ver. 2)
Five Years (ver. 3)
Five Years (ver. 4)
Five Years (ver. 5)
Friday On My Mind
Future Legend
Girl Loves Me
God Bless The Girl
God Knows Im Good
God Knows Im Good (ver. 2)
God Only Knows
Golden Years
Hallo Spaceboy
Hang On To Yourself
Hang On To Yourself (ver. 2)
Heavens In Here
Helden (ver. 2)
Here Comes The Night
Heroes (ver. 2)
Heroes (ver. 3)
Heroes (ver. 4)
Heroes (ver. 5)
Heroes (ver. 6)
Heroes Helden
How Does The Grass Grow
How Does The Grass Grow (ver. 2)
I Cant Explain
I Cant Give Everything Away
I Cant Give Everything Away (ver. 2)
I Cant Give Everything Away (ver. 3)
Id Rather Be High
Id Rather Be High (ver. 2)
If There Is Something
If You Can See Me
I Have Not Been To Oxford Town
I Know Its Gonna Happen Someday
Im Deranged
Im Waiting For The Man
In The Heat Of The Morning
It Aint Easy
Its No Game
Its No Game Part 1
Its No Game Part 2
John Im Only Dancing
Join The Gang
Jump They Say
Karma Man
Kingdom Come
Kooks (ver. 2)
Lady Grinning Soul
Lady Stardust
Lady Stardust (ver. 2)
Lady Stardust (ver. 3)
Lazarus (ver. 2)
Lazarus (ver. 3)
Lazarus (ver. 4)
Let Me Sleep Beside You
Lets Dance
Lets Dance (ver. 2)
Lets Dance (ver. 3)
Letter To Hermione
Life On Mars
Life On Mars (ver. 2)
Life On Mars (ver. 3)
Life On Mars (ver. 4)
Life On Mars (ver. 5)
Life On Mars (ver. 6)
Life On Mars (ver. 7)
Life On Mars (ver. 8)
Life On Mars (ver. 9)
Life On Mars (ver. 10)
Life On Mars (ver. 11)
Life On Mars (ver. 12)
Life On Mars (ver. 13)
Lightning Frightening
Little Bombadier
Little Wonder
London Boys
Look Back In Anger
Love Is Lost
Love You Till Tuesday
Love You Till Tuesday (ver. 2)
Loving The Alien
Loving The Alien (ver. 2)
Loving The Alien (ver. 3)
Lust For Life
Magic Dance
Maid Of Bond Street
Memory Of A Free Festival
Miracle Goodnight
Modern Love
Modern Love (ver. 2)
Modern Love (ver. 3)
Moonage Daydream
Moonage Daydream (ver. 2)
Moonage Daydream (ver. 3)
Moonage Daydream (ver. 4)
Move On
My Death
My Death (ver. 2)
Never Get Old
Never Let Me Down
New Angels Of Promise
New Killer Star
New Yorks In Love
Nite Flights
Oh You Pretty Things
Oh You Pretty Things (ver. 2)
Oh You Pretty Things (ver. 3)
Oh You Pretty Things (ver. 4)
Panic In Detroit
Panic In Detroit (ver. 2)
Prisoner Of Love
Putting Out Fire
Queen Bitch
Queen Bitch (ver. 2)
Queen Bitch (ver. 3)
Quicksand (ver. 2)
Ragazzo Solo Ragazza Sola
Rebel Rebel
Rebel Rebel (ver. 2)
Red Sails
Remembering Marie A
Rock N Roll Suicide
Rock N Roll With Me
Rubber Band
Running Gun Blues
Savior Machine
Scary Monsters And Supercreeps
Scream Like A Baby
See Emily Play
See Emily Play (ver. 2)
Sell Me A Coat
Seven Years In Tibet
Shadow Man
Shadow Man (ver. 2)
Shadow Man (ver. 3)
Shake It
Shapes Of Things
Shes Got Medals
She Shook Me Cold
Shining Star
Silly Boy Blue
Slip Away
Slip Away (ver. 2)
Slow Burn
Somebody Up There Likes Me
Song For Bob Dylan
Song For Bob Dylan (ver. 2)
Sons Of The Silent Age
Sorrow (ver. 2)
Soul Love
Soul Love (ver. 2)
Sound And Vision
Space Oddity
Space Oddity (ver. 2)
Space Oddity (ver. 3)
Space Oddity (ver. 4)
Space Oddity (ver. 5)
Space Oddity (ver. 6)
Star (ver. 2)
Starman (ver. 2)
Starman (ver. 3)
Starman (ver. 4)
Station To Station
Station To Station (ver. 2)
Station To Station (ver. 3)
Strangers When We Meet
Sue Or In A Season Of Crime
Suffragette City
Suffragette City (ver. 2)
Sweet Thing
Sweet Thing (ver. 2)
Take My Tip
Teenage Wildlife
The Cygnet Committee
The Informer
The Jean Genie
The Laughing Gnome
The Man Who Sold The World
The Man Who Sold The World (ver. 2)
The Next Day
The Next Day (ver. 2)
The Prettiest Star
The Prettiest Star (ver. 2)
The Prettiest Star (ver. 3)
The Prettiest Star (ver. 4)
The Prettiest Star (ver. 5)
The Prettiest Star (ver. 6)
The Secret Life Of Arabia
The Stars Are Out Tonight
The Supermen
The Supermen (ver. 2)
The Supermen (ver. 3)
This Is Not America
Thursdays Child
Tired Of My Life
Tis A Pity Shes A Whore
Tis A Pity Shes A Whore (ver. 2)
Trying To Get To Heaven
Tvc15 (ver. 2)
Uncle Arthur
Unwashed And Somewhat Slightly Dazed
Up The Hill Backwards
Valentines Day
Velvet Goldmine
Watch That Man
We Are Hungry Men
We Are The Dead
What In The World
When I Live My Dream
When Im Five
When The Wind Blows
Where Are We Now
Where Are We Now (ver. 2)
Where Are We Now (ver. 3)
Where Are We Now (ver. 4)
Where Are We Now (ver. 5)
Where Have All The Good Times Gone
Who Can I Be Now
Width Of A Circle
Wild-Eyed Boy From Freecloud
Wild Is The Wind
Wild Is The Wind (ver. 2)
Wild Is The Wind (ver. 3)
Within You
Within You (ver. 2)
Without You
Wood Jackson
Word On A Wing
Working Class Hero
You Feel So Lonely You Could Die
You Feel So Lonely You Could Die (ver. 2)
Young Americans
Young Americans (ver. 2)
You Will Set The World On Fire
Ziggy Stardust
Ziggy Stardust (ver. 2)
Ziggy Stardust (ver. 3)