Bobby Bare Guitar Chords

Bobby Bare


Bobby Bare's story is nearly as fascinating as his music. Bare's mother died when he was five. His father couldn't earn enough money to feed his children, forcing the family to split up. Bare was working on a farm by the time he was 15 years old, later working in factories and selling ice cream to support himself. Building his first guitar, he began playing music in his late teens, performing with a local Ohio band in Springfield.

In the late '50s, he moved out to Los Angeles. Bare's first appearance on record was in 1958, as he recorded his own talking blues "The All American Boy," which was credited to Bill Parsons. A number of labels refused the record before the Ohio-based Fraternity Records bought it for 50 dollars; the fee also included the publishing rights. "The All American Boy" was released in 1959 and it surprisingly became the second-biggest single in the U.S. that December, crossing over to the pop charts and peaking at number three. The single was also a big hit in the U.K., reaching number 22.

Before Bare could capitalize on his success, he was drafted into the armed forces. While he was on duty, Fraternity hired another singer to become Bill Parsons and sent him out on tour. After Bare left the army, he became roommates with Willie Nelson. During this time, he decided to become a pop singer. Soon, he was touring with pop/rock stars like Roy Orbison and Bobby Darin, recording records for a number of California labels. Meanwhile, his songs were being recorded by a number of artists; three of his tunes were featured in the Chubby Checker movie Teenage Millionaire.

Even though he was having some modest success, Bare decided he wasn't fulfilled playing pop music. Instead, he turned back to country, developing a distinctive blend of country, folk, and pop. In 1962, Chet Atkins signed him to RCA Records. By the end of the year, he had a hit with "Shame on You," which was notable for being one of the first records out of Nashville to make concessions to the pop charts by featuring horns. The production worked, as the single broke into the pop charts. The following year, he recorded Mel Tillis and Danny Dill's "Detroit City," which became his second straight single to make both the country and pop charts. Bare followed up the single with a traditional folk song, "500 Miles from Home." It was another big hit for the singer, peaking in the Top Ten on both the country and pop charts. Bare continued to rack up hits in 1964 and 1965, as well as appearing in the Western movie A Distant Trumpet.

As the '60s progressed, Bare continued to blur the lines between country and folk, as he was influenced by songwriters like Bob Dylan, recording material by Dylan and several of his contemporaries. Not only did he explore American folk, but Bare traveled to England, where he was popular. In 1968, he recorded an album with a Liverpool country band called the Hillsiders (The English Country Side), which signaled his artistic drive.

Bare switched record labels in 1970, signing with Mercury Records. He stayed at the label for two years, producing a string of Top Ten hits, including "How I Got to Memphis," "Please Don't Tell Me How the Story Ends," and "Come Sundown." Upon leaving Mercury, he recorded an album for United Artists called This Is Bare Country, which remained unreleased until 1976; instead, the label released a collection, The Very Best of Bobby Bare. After leaving UA, he re-signed with RCA in 1973.

Later in 1973, Bare released a double album of Shel Silverstein songs, Bobby Bare Sings Lullabys, Legends and Lies. Not only did the album represent the beginning of a collaboration with Silverstein, it was arguably the first country concept album, adding fire to the outlaw movement of the '70s in the process. The record was a hit with country audiences as well as rock fans, gaining airplay on FM radio stations. The following year, he had his first number one single with "Marie Laveau." Bare released another record of Silverstein songs, Bobby Bare and the Family Singin' in the Kitchen, in 1975. Sadly, the singer's oldest daughter died shortly after he recorded the album; she was only 15.

In 1977, Bare received a major publicity push from Bill Graham, the legendary rock concert promoter. Graham signed the singer to his management company, proclaiming that Bare was the "Springsteen of country music." Soon, the singer found new audiences at college campuses and in Canada. He switched record labels the same year, recording the self-produced Bare for Columbia. Two years later, he released Sleeper Whenever I Fall, which featured contributions from Rodney Crowell and rearranged rock & roll songs like the the Rolling Stones' "The Last Time" and the Byrds' "Feel a Whole Lot Better." Bare resumed his collaboration with Silverstein in 1980, releasing the live collection Down and Dirty, which spawned two humorous hits, "Numbers" and "Tequila Sheila." The following year, he released As Is, which showed that he was continuing to record a diverse selection of songwriters, including Townes Van Zandt, J.J. Cale, and Guy Clark.

Despite the fact that his work was consistently critically acclaimed, Bare's record sales began to slip in the early '80s, as the 1982 Silverstein collaboration Drinkin' from the Bottle, Singin' from the Heart and his 1985 record for EMI failed to launch any major hit singles. Nevertheless, Bare continued to retain a devoted following in the U.S. and the U.K., and his influence on contemporary country music remained evident. In 2005, the Dualtone label coaxed Bare out of retirement and released a new album, The Moon Was Blue, produced by his son Bobby Bare, Jr. The elder Bare continued to perform concerts regularly over the next few years but didn't return to the recording studio until 2012, when he cut a collection of folk songs called Darker Than Light. Five years later, Bare released Things Change, an album issued by Hypermedia and featuring a duet with Chris Stapleton on Bare's old hit "Detroit City" plus a version of the title track that the country singer performed with Petter Øien at 2012's Eurovision. Early in 2018, Things Change received another promotional push with Bare's version of Mary Gauthier's "I Drink" pulled as a single. ~ Stephen Thomas Erlewine, Rovi
Genres: country, country gospel, country rock, cowboy western, nashville sound, outlaw country, traditional country, western swing

Guitar Chords:

500 Miles Away From Home
500 Miles Away From Home (ver. 2)
A Little Bit Later On Down The Line
All American Boy
All The Good Times Are Past And Gone
Amarillo Highway
Baby Dont Believe Him
Big Dupree
Book Of Love
Book Of Love (ver. 2)
Brian Hennessey
Calgary Snow
Candy Coated Kisses
Charleston Railroad
Christmas Time At Grandmas House
Coal River
Come Kiss Me Love
Come On Home And Sing The Blues To Daddy
Come On Home And Sing The Blues To Daddy (ver. 2)
Come Sundown
Cowboy And The Poet Faster Horses
Cowboys And Daddys
Daddy What If
Dear Wastebasket
Detroit City
Dont It Make You Wanna Go Home
Dont Think Twice Its Alright
Down In Mexico
Down To My Last Come And Get Me
Down To My Last Come And Get Me (ver. 2)
Drinking From The Bottle
Drop Kick Me Jesus
Dropping Out Of Sight
Find Out Whats Happening
Five Hundred Miles
Game Of Triangles
Gods Were Angry With Me
Greasy Grit Gravy
Hard Time Hungrys
Have I Stayed Away Too Long
Heaven Help My Soul
Hes A Cowboy
High Plains Jamboree
Hillbilly Hell
How About You
Id Fight The World
I Dont Believe Ill Fall In Love Today
If You Aint Got Nothing
I Hate Goodbyes
I Love An Old Fashioned Christmas
Im A Long Way From Home
Im Gettin Lonely
Im Not A Candle In The Wind
I Never Went To Bed With An Ugly Woman
I Never Went To Bed With An Ugly Woman (ver. 2)
In The Hills Of Shiloh
It All Depends On Linda
I Took A Memory For Lunch
I Took A Memory To Lunch
I Wonder Where You Are Tonight
Last Dance At The Old Texas Moon
Lemon Tree
Little Bit Later On Down The Line
Long Way To Tennessee
Lost In Millers Cave
Margies At The Lincoln Park Inn
Marie Laveau
Mrs Jones Your Daughter Cried All Night
Ode To The Little Brown Shack Out Back
Passin Through
Please Dont Tell Me How The Story Ends
Please Dont Tell Me Till The Story Ends
Pretty Painted Ladies
Rosalies Good Eats Cafe
Rough On The Living
Shame On Me
She My Ever Lovin Machine
Song Of The South
Speckled Pony
Tequila Sheila
Tequila Sheila (ver. 2)
Thats How I Got To Memphis
The Mermaid
The Mermaid Song
The Stranger
The Winner
Things Change
To Whom It May Concern
Try To Remember
Up Against The Wall Redneck Mother
What Am I Gonna Do Girl