Bob Dylan Guitar Chords

Bob Dylan


Bob Dylan's influence on popular music is incalculable. As a songwriter, he pioneered several different schools of pop songwriting, from confessional singer/songwriter to winding, hallucinatory, stream-of-consciousness narratives. As a vocalist, he broke down the notion that a singer must have a conventionally good voice in order to perform, thereby redefining the vocalist's role in popular music. As a musician, he sparked several genres of pop music, including electrified folk-rock and country-rock. And that just touches on the tip of his achievements. Dylan's force was evident during his height of popularity in the '60s -- the Beatles' shift toward introspective songwriting in the mid-'60s never would have happened without him -- but his influence echoed throughout several subsequent generations, as many of his songs became popular standards and his best albums became undisputed classics of the rock & roll canon. Dylan's influence throughout folk music was equally powerful, and he marks a pivotal turning point in its 20th century evolution, signifying when the genre moved away from traditional songs and toward personal songwriting. Even when his sales declined in the '80s and '90s, Dylan's presence rarely lagged, and his commercial revival in the 2000s proved his staying power.

For a figure of such substantial influence, Dylan came from humble beginnings. Born in Duluth, Minnesota, Bob Dylan (b. Robert Allen Zimmerman, May 24, 1941) was raised in Hibbing, Minnesota, from the age of six. As a child he learned how to play guitar and harmonica, forming a rock & roll band called the Golden Chords when he was in high school. Following his graduation in 1959, he began studying art at the University of Minnesota in Minneapolis. While at college, he began performing folk songs at coffee houses under the name Bob Dylan, taking his last name from the poet Dylan Thomas. Already inspired by Hank Williams and Woody Guthrie, Dylan began listening to blues while at college, and the genre wove its way into his music. He spent the summer of 1960 in Denver, where he met bluesman Jesse Fuller, the inspiration behind the songwriter's signature harmonica rack and guitar. By the time he returned to Minneapolis in the fall, he had grown substantially as a performer and was determined to become a professional musician.

Dylan made his way to New York City in January of 1961, immediately making a substantial impression on the folk community of Greenwich Village. He began visiting his idol Guthrie in the hospital, where he was slowly dying from Huntington's chorea. Dylan also began performing in coffee houses, and his rough charisma won him a significant following. In April, he opened for John Lee Hooker at Gerde's Folk City. Five months later, Dylan performed another concert at the venue, which was reviewed positively by Robert Shelton in The New York Times. Columbia A&R man John Hammond sought out Dylan on the strength of the review, and signed the songwriter in the fall of 1961. Hammond produced Dylan's eponymous debut album (released in March 1962), a collection of folk and blues standards that boasted only two original songs. Over the course of 1962, Dylan began to write a large batch of original songs, many of which were political protest songs in the vein of his Greenwich Village contemporaries. These songs were showcased on his second album, The Freewheelin' Bob Dylan. Before its release, Freewheelin' went through several incarnations. Dylan had recorded a rock & roll single, "Mixed Up Confusion," at the end of 1962, but his manager, Albert Grossman, made sure the record was deleted because he wanted to present Dylan as an acoustic folkie. Similarly, several tracks with a full backing band that were recorded for Freewheelin' were scrapped before the album's release. Furthermore, several tracks recorded for the album -- including "Talking John Birch Society Blues" -- were eliminated from the album before its release.

Entirely comprising original songs, The Freewheelin' Bob Dylan made a huge impact in the U.S. folk community, and many performers began covering songs from the album. Of these, the most significant were Peter, Paul and Mary, who made "Blowin' in the Wind" into a huge pop hit in the summer of 1963 and thereby made Bob Dylan into a recognizable household name. On the strength of Peter, Paul and Mary's cover and his opening gigs for popular folkie Joan Baez, Freewheelin' became a hit in the fall of 1963, climbing to number 23 on the charts. By that point, Baez and Dylan had become romantically involved, and she was beginning to record his songs frequently. Dylan was writing just as fast.

By the time The Times They Are A-Changin' was released in early 1964, Dylan's songwriting had developed far beyond that of his New York peers. Heavily inspired by poets like Arthur Rimbaud and John Keats, his writing took on a more literate and evocative quality. Around the same time, he began to expand his musical boundaries, adding more blues and R&B influences to his songs. Released in the summer of 1964, Another Side of Bob Dylan made these changes evident. However, Dylan was moving faster than his records could indicate. By the end of 1964, he had ended his romantic relationship with Baez and had begun dating a former model named Sara Lowndes, whom he subsequently married. Simultaneously, he gave the Byrds "Mr. Tambourine Man" to record for their debut album. The Byrds gave the song a ringing, electric arrangement, but by the time the single became a hit, Dylan was already exploring his own brand of folk-rock.

Inspired by the British Invasion, particularly the Animals' version of "House of the Rising Sun," Dylan recorded a set of original songs backed by a loud rock & roll band for his next album. While Bringing It All Back Home (March 1965) still had a side of acoustic material, it made clear that Dylan had turned his back on folk music. For the folk audience, the true breaking point arrived a few months after the album's release, when he played the Newport Folk Festival supported by the Paul Butterfield Blues Band. The audience greeted him with vicious derision, but he had already been accepted by the growing rock & roll community. Dylan's spring tour of Britain was the basis for D.A. Pennebaker's documentary Don't Look Back, a film that captures the songwriter's edgy charisma and charm.

Dylan made his breakthrough to the pop audience in the summer of 1965, when "Like a Rolling Stone" became a number two hit. Driven by a circular organ riff and a steady beat, the six-minute single broke the barrier of the three-minute pop single. Dylan became the subject of innumerable articles, and his lyrics became the subject of literary analyses across the U.S. and U.K. Well over 100 artists covered his songs between 1964 and 1966; the Byrds and the Turtles, in particular, had big hits with his compositions. Highway 61 Revisited, his first full-fledged rock & roll album, became a Top Ten hit shortly after its summer 1965 release. "Positively 4th Street" and "Rainy Day Women #12 & 35" became Top Ten hits in the fall of 1965 and spring of 1966, respectively. Following the May 1966 release of the double album Blonde on Blonde, he had sold over ten million records around the world.

During the fall of 1965, Dylan hired the Hawks, formerly Ronnie Hawkins' backing group, as his touring band. The Hawks, who changed their name to the Band in 1968, would become Dylan's most famous backing band, primarily because of their intuitive chemistry and "wild, thin mercury sound," but also because of their British tour in the spring of 1966. The tour was the first time the British had heard the electric Dylan, and their reaction was disagreeable and violent. At the Manchester concert (long mistakenly identified as the show from London's Royal Albert Hall), an audience member called Dylan "Judas," inspiring a positively vicious version of "Like a Rolling Stone" from Dylan and the band. The performance was immortalized on countless bootleg albums (an official release finally surfaced in 1998), and it indicates the intensity of Dylan in the middle of 1966. He had assumed control of Pennebaker's second Dylan documentary, Eat the Document, and was under deadline to complete his book Tarantula, as well as record a new record. Following the British tour, he returned to America.

On July 29, 1966, he was injured in a motorcycle accident outside of his home in Woodstock, New York, suffering injuries to his neck vertebrae and a concussion. Details of the accident remain elusive -- he was reportedly in critical condition for a week and had amnesia -- and some biographers have questioned its severity, but the event was a pivotal turning point in his career. After the accident, Dylan became a recluse, disappearing into his home in Woodstock and raising his family with his wife, Sara. After a few months, he retreated with the Band to a rented house, subsequently dubbed Big Pink, in West Saugerties to record a number of demos. For several months, Dylan and the Band recorded an enormous amount of material, ranging from old folk, country, and blues songs to newly written originals. The songs indicated that Dylan's songwriting had undergone a metamorphosis, becoming streamlined and more direct. Similarly, his music had changed, owing less to traditional rock & roll, and demonstrating heavy country, blues, and traditional folk influences. None of the Big Pink recordings was intended to be released, but tapes from the sessions were circulated by Dylan's music publisher with the intent of generating cover versions. Copies of these tapes, as well as other songs, were available on illegal bootleg albums by the end of the '60s; it was the first time that bootleg copies of unreleased recordings became widely circulated. Portions of the tapes were officially released in 1975 as the double album The Basement Tapes.

While Dylan was in seclusion, rock & roll had become heavier and artier in the wake of the psychedelic revolution. When Dylan returned with John Wesley Harding in December of 1967, its quiet, country ambience was a surprise to the general public, but it was a significant hit, peaking at number two in the U.S. and number one in the U.K. Furthermore, the record arguably became the first significant country-rock record to be released, setting the stage for efforts by the Byrds and the Flying Burrito Brothers later in 1969.

Dylan followed his country inclinations on his next album, 1969's Nashville Skyline, which was recorded in Nashville with several of the country industry's top session men. While the album was a hit, spawning the Top Ten single "Lay Lady Lay," it was criticized in some quarters for uneven material. The mixed reception was the beginning of a full-blown backlash that arrived with the double album Self Portrait. Released early in June of 1970, the album was a hodgepodge of covers, live tracks, reinterpretations, and new songs greeted with negative reviews from all quarters of the press. Dylan followed the album quickly with New Morning, which was hailed as a comeback.

Following the release of New Morning, Dylan began to wander restlessly. He moved back to Greenwich Village, he finally published Tarantula in November of 1970, and he performed at the Concert for Bangladesh in August 1971. During 1972, he began his acting career by playing Alias in Sam Peckinpah's Pat Garrett and Billy the Kid, which was released in 1973. He also wrote the soundtrack for the film, which featured "Knockin' on Heaven's Door," his biggest hit since "Lay Lady Lay." The Pat Garrett soundtrack was the final record released under his Columbia contract before he moved to David Geffen's fledgling Asylum Records. As retaliation, Columbia assembled Dylan, a collection of Self Portrait outtakes, for release at the end of 1973. Dylan only recorded two albums -- including 1974's Planet Waves, coincidentally his first number one album -- before he moved back to Columbia. The Band supported Dylan on Planet Waves and its accompanying tour, which became the most successful tour in rock & roll history; it was captured on 1974's double live album Before the Flood.

Dylan's 1974 tour was the beginning of a comeback culminating with 1975's Blood on the Tracks. Largely inspired by the disintegration of his marriage, Blood on the Tracks was hailed as a return to form by critics and it became his second number one album. After jamming with folkies in Greenwich Village, Dylan decided to launch a gigantic tour, loosely based on traveling medicine shows. Lining up an extensive list of supporting musicians -- including Joan Baez, Joni Mitchell, Ramblin' Jack Elliott, Arlo Guthrie, Mick Ronson, Roger McGuinn, and poet Allen Ginsberg -- Dylan dubbed the tour the Rolling Thunder Revue and set out on the road in the fall of 1975. For the next year, the Rolling Thunder Revue toured on and off, with Dylan filming many of the concerts for a future film. During the tour, Desire was released to considerable acclaim and success, spending five weeks on the top of the charts. Throughout the Rolling Thunder Revue, Dylan showcased "Hurricane," a protest song he had written about boxer Rubin Carter, who had been unjustly imprisoned for murder. The live album Hard Rain was released at the end of the tour. Dylan released Renaldo and Clara, a four-hour film based on the Rolling Thunder tour, to poor reviews in early 1978.

Early in 1978, Dylan set out on another extensive tour, this time backed by a band that resembled a Las Vegas lounge act. The group was featured on the 1978 album Street Legal and the 1979 live album At Budokan. At the conclusion of the tour in late 1978, Dylan announced that he was a born-again Christian, and he launched a series of Christian albums that following summer with Slow Train Coming. Though the reviews were mixed, the album was a success, peaking at number three and going platinum. His supporting tour for Slow Train Coming featured only his new religious material, much to the bafflement of his long-term fans. Two other religious albums -- Saved (1980) and Shot of Love (1981) -- followed, both to poor reviews. In 1982, Dylan traveled to Israel, sparking rumors that his conversion to Christianity was short-lived. He returned to secular recording with 1983's Infidels, which was greeted with favorable reviews.

Dylan returned to performing in 1984, releasing the live album Real Live at the end of the year. Empire Burlesque followed in 1985, but its odd mix of dance tracks and rock & roll won few fans. However, the five-album/triple-disc retrospective box set Biograph appeared that same year to great acclaim. In 1986, Dylan hit the road with Tom Petty & the Heartbreakers for a successful and acclaimed tour, but his album that year, Knocked Out Loaded, was received poorly. The following year, he toured with the Grateful Dead as his backing band; two years later, the souvenir album Dylan & the Dead appeared.

In 1988, Dylan embarked on what became known as "the Never-Ending Tour" -- a constant stream of shows that ran on and off into the late '90s. That same year, he appeared on The Traveling Wilburys, Vol. 1 -- by the supergroup also featuring George Harrison, Roy Orbison, Tom Petty, and Jeff Lynne -- and released his own Down in the Groove, an album largely comprising covers. The Never-Ending Tour received far stronger reviews than Down in the Groove (the Traveling Wilburys album fared much better), but 1989's Oh Mercy was his most acclaimed album since 1975's Blood on the Tracks, due in part to Daniel Lanois' strong production. However, Dylan's 1990 follow-up, Under the Red Sky (issued the same year as the second album by the Traveling Wilburys, now a quartet following the death of Roy Orbison shortly after the release of the Wilburys' first long-player in 1988), was received poorly, especially when compared to the enthusiastic reception for the 1991 box set The Bootleg Series, Vols. 1-3 (Rare & Unreleased), a collection of previously unreleased outtakes and rarities.

For the remainder of the '90s, Dylan divided his time between live concerts, painting, and studio projects. He returned to recording in 1992 with Good as I Been to You, an acoustic collection of traditional folk songs. It was followed in 1993 by another folk record, World Gone Wrong, which won the Grammy for Best Traditional Folk Album. After the release of World Gone Wrong, he released a greatest-hits album and a live record.

Dylan released Time Out of Mind, his first album of original material in seven years, in the fall of 1997. Time Out of Mind received his strongest reviews in years and unexpectedly debuted in the Top Ten, eventually climbing to platinum certification. Such success sparked a revival of interest in Dylan, who appeared on the cover of Newsweek and began selling out concerts once again. Early in 1998, Time Out of Mind received three Grammy Awards -- Album of the Year, Best Contemporary Folk Album, and Best Male Rock Vocal.

Another album of original material, Love and Theft, followed in 2001 and went gold. Soon after its release, Dylan announced that he was making his own film, to star Jeff Bridges, Penelope Cruz, John Goodman, Val Kilmer, and many more. The accompanying soundtrack, Masked and Anonymous, was released in July 2003. Dylan opted to self-produce his new studio album, Modern Times, which topped the Billboard charts and went platinum in both America and the U.K. It was Dylan's third consecutive album to receive praise from critics and support from consumers, and it was followed three years later in 2009 by Together Through Life, another self-produced effort (as Jack Frost) that also featured contributions from David Hidalgo of Los Lobos and Mike Campbell of Tom Petty & the Heartbreakers. He capped off the year with an old-fashioned holiday effort, Christmas in the Heart. Proceeds from the album were donated to various charities around the world.

Dylan released the self-produced (again as Jack Frost) Tempest on September 11, 2012; it debuted at three on both the Billboard 200 and the U.K. charts. The next two years brought acclaimed entries in the ongoing Bootleg Series -- 2013 saw the release of Another Self Portrait (1969-1971), which restored the reputation of a much-maligned era, and 2014 saw the long-awaited appearance of The Basement Tapes Complete -- and then Dylan threw a curve ball for his next studio album. Released in February 2015, Shadows in the Night found the singer/songwriter devoting himself to selections from the Great American Songbook in the pre-rock & roll era. Every one of the ten songs had previously been recorded by Frank Sinatra, and Dylan's album was his version of Sinatra's saloon songs, arranged by his own touring band. Shadows in the Night debuted at seven in the U.S. and at number one in the U.K. It was followed in the autumn by the next installment in The Bootleg Series, The Cutting Edge 1965-1966. Available in three editions -- a double-disc distillation, a comprehensive six-disc box, and a complete, limited-edition 18-CD set -- The Cutting Edge 1965-1966 collected unreleased (and unbootlegged) outtakes from the recording of Bringing It All Back Home, Highway 61 Revisited, and Blonde on Blonde.

In May of 2016, Dylan returned with Fallen Angels, his second Sinatra-inspired collection of songs from the Great American Songbook; it debuted at number seven on the Billboard charts. Later that year, Columbia/Legacy released The 1966 Live Recordings, a 36-disc box set containing every known recording from that pivotal year, but its release was overshadowed by Dylan winning the Nobel Prize for Literature in the autumn of 2016. Dylan continued his exploration of the Great American Songbook with the March 2017 release of Triplicate, a triple album containing three thematically arranged collections of pop standards. Entitled Trouble No More 1979-1981, the 13th volume of The Bootleg Series spotlighted Dylan's Christian era in the early '80s and arrived in November 2017. Live 1962-1966: Rare Performances from the Copyright Collections, a double-disc set of highlights culled from previously released rarities collections, appeared in July 2018. Four months later, the six-disc deluxe version of More Blood, More Tracks: The Bootleg Series, Vol. 14 appeared. It contained all known studio recordings -- full and partial -- that eventually resulted in the classic Blood on the Tracks in 1975. ~ Stephen Thomas Erlewine, Rovi
Genres: album rock, classic rock, folk, folk rock, folk-pop, mellow gold, rock, roots rock, singer-songwriter

Guitar Chords:

1913 Massacre
2020 Vision
2 X 2
4Th Time Around
Abandoned Love
Abandoned Love (ver. 2)
Abandoned Love (ver. 3)
Abandoned Love (ver. 4)
Abraham Martin And John
Absolutely Sweet Marie
A Couple More Years
A Hard Rains A Gonna Fall
Aint Gonna Go To Hell For Anybody
Aint No More Cane
Aint No More Cane (ver. 2)
Aint Talkin
Aint Talkin (ver. 2)
All Along The Watchtower
All Along The Watchtower (ver. 2)
All Along The Watchtower (ver. 3)
All Along The Watchtower (ver. 4)
All I Really Want To Do
All I Really Want To Do (ver. 2)
All I Really Want To Do (ver. 3)
All My Tomorrows
All The Tired Horses
Annies Going To Sing Her Song
Any Day Now
Arthur Mcbride
A Satisfied Mind
A Satisfied Mind (ver. 2)
As I Go Ramblin Round
As I Went Out One Morning
As I Went Out One Morning (ver. 2)
A Thousand Miles Behind
Autumn Leaves
Baby Aint That Fine
Baby Im In The Mood
Baby Let Me Follow You Down
Baby Please Stop Crying
Baby Stop Crying
Ballad In Plain D
Ballad In Plain D (ver. 2)
Ballad In Plain D (ver. 3)
Ballad Of A Thin Man
Ballad Of A Thin Man (ver. 2)
Ballad Of A Thin Man (ver. 3)
Ballad Of A Thin Man (ver. 4)
Ballad Of A Thin Man (ver. 5)
Ballad Of Donald White
Ballad Of Hollis Brown
Belle Isle
Beyond The Horizon
Beyond The Horizon (ver. 2)
Billy 4
Billy The Kid
Black Crow Blues
Black Diamond Bay
Black Diamond Bay (ver. 2)
Black Diamond Bay (ver. 3)
Black Jack Davey
Blind Willie Mctell
Blind Willie Mctell (ver. 2)
Blind Willie Mctell (ver. 3)
Blind Willie Mctell (ver. 4)
Blind Willie Mctell (ver. 5)
Blonde On Blonde
Blood In My Eyes
Blood In My Eyes (ver. 2)
Blowin In The Wind
Blowin In The Wind (ver. 2)
Blowin In The Wind (ver. 3)
Blowin In The Wind (ver. 4)
Blowin In The Wind (ver. 5)
Blowin In The Wind (ver. 6)
Blowin In The Wind (ver. 7)
Blowin In The Wind (ver. 8)
Blowin In The Wind (ver. 9)
Blowin In The Wind (ver. 10)
Blowin In The Wind (ver. 11)
Blowin In The Wind - Basement Tapes
Bob Dylans 115Th Dream
Bob Dylans Blues
Bob Dylans Dream
Boots Of Spanish Leather
Boots Of Spanish Leather (ver. 2)
Boots Of Spanish Leather (ver. 3)
Born In Time
Brownsville Girl
Brownsville Girl (ver. 2)
Buckets Of Rain
Buckets Of Rain (ver. 2)
Call Letter Blues
Cant Help Falling In Love
Cant Leave Her Behind
Cant Wait
Cant Wait (ver. 2)
Can You Please Crawl Out Your Window
Caribbean Wind
Caribbean Wind (ver. 2)
Catch The Wind
Cats In The Well
Changing Of The Guards
Changing Of The Guards (ver. 2)
Changing Of The Guards (ver. 3)
Changing Of The Guards (ver. 4)
Chimes Of Freedom
Chimes Of Freedom (ver. 2)
Chimes Of Freedom (ver. 3)
Christmas Island
Clothes Line Saga
Clothes Line Saga (ver. 2)
Cold Irons Bound
Coming From The Heart The Road Is Long
Copper Kettle
Copper Kettle (ver. 2)
Corrina Corrina
Corrina Corrina (ver. 2)
Corrina Corrina (ver. 3)
Country Pie
Country Pie (ver. 2)
Covenant Woman
Covenant Woman (ver. 2)
Crash On The Levee Down In The Flood
Cross The Green Mountain
Cry Awhile
Cuban Missle Crisis
Dark Eyes
Dark Eyes (ver. 2)
Dark Eyes (ver. 3)
Days Of 49
Days Of 49 (ver. 2)
Dear Landlord
Death Dont Have No Mercy In This Land
Death Is Not The End
Desolation Row
Desolation Row (ver. 2)
Desolation Row (ver. 3)
Desolation Row (ver. 4)
Desolation Row (ver. 5)
Desolation Row (ver. 6)
Desolation Row (ver. 7)
Desolation Row (ver. 8)
Diamond Joe
Dignity (ver. 2)
Dignity (ver. 3)
Dinks Song Fare Thee Well
Disease Of Conceit
Dont Fall Apart On Me Tonight
Dont Think Twice Its All Right
Dont Think Twice Its All Right (ver. 2)
Dont Think Twice Its All Right (ver. 3)
Dont Think Twice Its All Right (ver. 4)
Dont Think Twice Its All Right (ver. 5)
Dont Think Twice Its All Right (ver. 6)
Dont Think Twice Its All Right (ver. 7)
Dont Think Twice Its All Right (ver. 8)
Dont Think Twice Its All Right (ver. 9)
Dont Think Twice Its All Right (ver. 10)
Dont Think Twice Its All Right (ver. 11)
Dont Ya Tell Henry
Do Right To Me Baby Do Unto Others
Down Along The Cove
Do You Hear What I Hear
Dress It Up Better Have It All
Drifters Escape
Drifters Escape (ver. 2)
Duncan And Brady
Duquesne Whistle
Duquesne Whistle (ver. 2)
Duquesne Whistle (ver. 3)
Early Roman Kings
Edge Of The Ocean
Emotionally Yours
Eternal Circle
Every Grain Of Sand
Every Grain Of Sand (ver. 2)
Everything Is Broken
Fare Thee Well
Farewell Angelina
Farewell Angelina (ver. 2)
Farewell Angelina (ver. 3)
Fixin To Die
Foot Of Pride
Forever Young
Forever Young (ver. 2)
Forever Young (ver. 3)
Forever Young (ver. 4)
Forever Young (ver. 5)
Forever Young (ver. 6)
Forever Young (ver. 7)
Four Strong Winds
Fourth Time Around
Frankie And Albert
Freedom For The Stallion
Freight Train Blues
Friday Fake Cover
Froggie Went A Courtin
Froggie Went A Courtin (ver. 2)
From A Buick 6
From A Buick 6 (ver. 2)
Full Moon And Empty Arms
Gates Of Eden
Gates Of Eden (ver. 2)
George Jackson
Girl From The North Country
Girl From The North Country (ver. 2)
Girl From The North Country (ver. 3)
Girl From The North Country (ver. 4)
Girl I Left Behind
God Knows
Goin Down The Road Feeling Bad
Going Down To New Orleans
Going Going Gone
Goin To Acapulco
Gonna Change My Way Of Thinking
Gospel Plow
Gotta Serve Somebody
Gotta Serve Somebody (ver. 2)
Gotta Serve Somebody (ver. 3)
Handsome Molly
Handy Dandy
Hard Times
Hard Times In New York Town
Hark The Herald Angels Sing
Heart Of Mine
Help Me Make It Through The Night
Here Comes Santa Claus
He Was A Friend Of Mine
He Was A Friend Of Mine (ver. 2)
Hiding Too Long
High Water For Charley Patton
Highway 5
Highway 51 Blues
Highway 51 Blues (ver. 2)
Highway 61 Revisited
Hiram Hubbard
Honey Just Allow Me One More Chance
House Carpenter
House Carpenter (ver. 2)
House Of The Rising Sun
House Of The Rising Sun (ver. 2)
Hucks Tune
Hurricane (ver. 2)
I Aint Got No Home
I Am A Lonesome Hobo
I And I
I And I (ver. 2)
I And I (ver. 3)
I And I (ver. 4)
I Believe In You
I Believe In You (ver. 2)
I Believe In You (ver. 3)
I Believe In You (ver. 4)
I Believe In You (ver. 5)
I Cant Come In With A Broken Heart
Id Have You Anytime
Idiot Wind
Idiot Wind (ver. 2)
Idiot Wind (ver. 3)
Idiot Wind (ver. 4)
Idiot Wind (ver. 5)
I Dont Believe You She Acts Like We Never Have Met
I Dont Believe You She Acts Like We Never Have Met (ver. 2)
I Dreamed I Saw St Augustine
I Dreamed I Saw St Augustine (ver. 2)
I Dreamed I Saw St Augustine (ver. 3)
If Not For You
If You Gotta Go Go Now
If You See Her Say Hello
If You See Her Say Hello (ver. 2)
If You See Her Say Hello (ver. 3)
If You See Her Say Hello (ver. 4)
I Heard That Lonesome Whistle Blow
Ill Be Home For Christmas
Ill Be Your Baby Tonight
Ill Be Your Baby Tonight (ver. 2)
Ill Be Your Baby Tonight (ver. 3)
Ill Keep It With Mine
Ill Keep It With Mine (ver. 2)
Ill Remember You
Im A Fool To Want You
Im Not Supposed To Care
Im Not There
Im Not There (ver. 2)
Im Not There (ver. 3)
Im Not There (ver. 4)
In My Time Of Dyin
In The Garden
I Pity The Poor Immigrant
I Pity The Poor Immigrant (ver. 2)
I Pity The Poor Immigrant (ver. 3)
I Shall Be Free
I Shall Be Free No 10
I Shall Be Released
I Shall Be Released (ver. 2)
I Shall Be Released (ver. 3)
Isis (ver. 2)
Is Your Love In Vain
Is Your Love In Vain (ver. 2)
Is Your Love In Vain (ver. 3)
It Aint Me Babe
It Aint Me Babe (ver. 2)
It Aint Me Babe (ver. 3)
It Aint Me Babe (ver. 4)
It Aint Me Babe (ver. 5)
It Aint Me Babe (ver. 6)
I Threw It All Away
I Threw It All Away (ver. 2)
It Hurts Me Too
Its All Over Now Baby Blue
Its All Over Now Baby Blue (ver. 2)
Its All Over Now Baby Blue (ver. 3)
Its All Over Now Baby Blue (ver. 4)
Its All Over Now Baby Blue (ver. 5)
Its All Over Now Baby Blue (ver. 6)
Its All Over Now Baby Blue (ver. 7)
Its All Over Now Baby Blue (ver. 8)
Its All Over Now Baby Blue (ver. 9)
Its All Over Now Baby Blue (ver. 10)
Its All Over Now Baby Blue (ver. 11)
Its Alright Ma
Its Alright Ma (ver. 2)
Its Alright Ma (ver. 3)
Its Alright Ma Im Only Bleeding
Its Hard To Be Blind
It Takes A Lot To Laugh It Takes A Train To Cry
It Takes A Lot To Laugh It Takes A Train To Cry (ver. 2)
It Takes A Lot To Laugh It Takes A Train To Cry (ver. 3)
I Want You
I Want You (ver. 2)
I Want You (ver. 3)
I Want You (ver. 4)
I Want You (ver. 5)
I Want You (ver. 6)
I Want You (ver. 7)
I Was Young When I Left Home
I Will Love Him
James Alley Blues
Jet Pilot
Jim Jones
Jim Jones (ver. 2)
Jim Jones (ver. 3)
John Brown
John Brown (ver. 2)
John Brown (ver. 3)
John Wesley Harding
John Wesley Harding (ver. 2)
John Wesley Harding (ver. 3)
Jokerman (ver. 2)
Just Like A Woman
Just Like A Woman (ver. 2)
Just Like A Woman (ver. 3)
Just Like A Woman (ver. 4)
Just Like A Woman (ver. 5)
Just Like Tom Thumbs Blues
Just Like Tom Thumbs Blues (ver. 2)
Katies Been Gone
Kingsport Town
Knockin On Heavens Door
Knockin On Heavens Door (ver. 2)
Knockin On Heavens Door (ver. 3)
Knockin On Heavens Door (ver. 4)
Knockin On Heavens Door (ver. 5)
Knockin On Heavens Door (ver. 6)
Lakes Of Pontchartrain
Lay Down Your Weary Tune
Lay Down Your Weary Tune (ver. 2)
Lay Lady Lay
Lay Lady Lay (ver. 2)
Lay Lady Lay (ver. 3)
Lay Lady Lay (ver. 4)
Lay Lady Lay (ver. 5)
Lay Lady Lay (ver. 6)
Leopard-Skin Pill-Box Hat
Let Me Die In My Footsteps
Let Me Die In My Footsteps (ver. 2)
License To Kill
License To Kill (ver. 2)
License To Kill (ver. 3)
Life Is Hard
Like A Rolling Stone
Like A Rolling Stone (ver. 2)
Like A Rolling Stone (ver. 3)
Like A Rolling Stone (ver. 4)
Lily Of The West
Lily Rosemary And The Jack Of Hearts
Little Maggie
Little Maggie (ver. 2)
Little Moses
Living The Blues
Lo And Behold
Lonesome River
Long Ago Far Away
Long And Wasted Years
Long Time Gone
Lord Protect My Child
Love Minus Zero
Love Minus Zero (ver. 2)
Love Minus Zero (ver. 3)
Love Minus Zero (ver. 4)
Love Minus Zero No Limit Live
Love Sick
Love Sick (ver. 2)
Love Sick (ver. 3)
Love Sick (ver. 4)
Maggies Farm
Maggies Farm (ver. 2)
Maggies Farm (ver. 3)
Maggies Farm (ver. 4)
Make You Feel My Love
Make You Feel My Love (ver. 2)
Make You Feel My Love (ver. 3)
Make You Feel My Love (ver. 4)
Make You Feel My Love (ver. 5)
Make You Feel My Love (ver. 6)
Make You Feel My Love (ver. 7)
Making A Liar Out Of Me
Mama You Been On My Mind
Mama You Been On My Mind (ver. 2)
Mama You Been On My Mind (ver. 3)
Mama You Been On My Mind (ver. 4)
Man Gave Names To All The Animals
Man In The Long Black Coat
Man In The Long Black Coat (ver. 2)
Man Of Constant Sorrow
Man Of Constant Sorrow (ver. 2)
Man Of Constant Sorrow (ver. 3)
Man Of Constant Sorrow (ver. 4)
Man Of Peace
Man On The Street
Man On The Street (ver. 2)
Mary Ann
Masters Of War
Masters Of War (ver. 2)
Masters Of War (ver. 3)
Masters Of War (ver. 4)
Meet Me In The Morning
Melancholy Mood
Melancholy Mood (ver. 2)
Million Dollar Bash
Million Dollar Bash (ver. 2)
Million Miles
Mississippi (ver. 2)
Moonshiner (ver. 2)
Moonshiner (ver. 3)
Most Likely You Go Your Way And Ill Go Mine
Most Likely You Go Your Way And Ill Go Mine (ver. 2)
Most Of The Time
Most Of The Time (ver. 2)
Most Of The Time (ver. 3)
Most Of The Time (ver. 4)
Motorpsycho Nitemare
Mozambique (ver. 2)
Mr Bojangles
Mr Tambourine Man
Mr Tambourine Man (ver. 2)
Mr Tambourine Man (ver. 3)
Mr Tambourine Man (ver. 4)
Must Be Santa
My Back Pages
My Back Pages (ver. 2)
My Back Pages (ver. 3)
Narrow Way
Neighborhood Bully
Neighborhood Bully (ver. 2)
Nettie Moore
Nettie Moore (ver. 2)
Never Let You Go
Never Say Goodbye
New Morning
New Pony
Nobody Cept You
No More Auction Block
North Country Blues
North Country Blues (ver. 2)
Not Dark Yet
Not Dark Yet (ver. 2)
Not Dark Yet (ver. 3)
Not Dark Yet (ver. 4)
Nothing Was Delivered
No Time To Think
No Time To Think (ver. 2)
Obviously Five Believers
Odds And Ends
Oh Babe It Aint No Lie
Oh Sister
O Little Town Of Bethlehem
On A Night Like This
On A Night Like This (ver. 2)
One For The Road
One Mans Loss
One More Cup Of Coffee
One More Cup Of Coffee (ver. 2)
One More Cup Of Coffee (ver. 3)
One More Night
One More Night (ver. 2)
One More Weekend
One Of Us Must Know Sooner Or Later
One Of Us Must Know Sooner Or Later (ver. 2)
One Too Many Mornings
One Too Many Mornings (ver. 2)
One Too Many Mornings (ver. 3)
One Too Many Mornings (ver. 4)
Only A Hobo
Only A Pawn In Their Game
On The Road Again
On The Road Again (ver. 2)
Open The Door Homer
Open The Door Homer (ver. 2)
Orange Juice Blues
Outlaw Blues
Oxford Town
Oxford Town (ver. 2)
Oxford Town (ver. 3)
Pastures Of Plenty
Paths Of Victory
Paths Of Victory (ver. 2)
Pay In Blood
Peggy Day
Percys Song
Percys Song (ver. 2)
Percys Song (ver. 3)
Please Mrs Henry
Po Boy
Po Boy (ver. 2)
Po Boy (ver. 3)
Poor Lazarus
Positively 4Th St
Positively 4Th Street
Positively 4Th Street (ver. 2)
Positively 4Th Street (ver. 3)
Precious Angel
Precious Angel (ver. 2)
Precious Angel (ver. 3)
Pressing On
Pressing On (ver. 2)
Pretty Boy Floyd
Pretty Peggy-O
Pretty Saro
Queen Jane Approximately
Quinn The Eskimo The Mighty Quinn
Quit Your Low Down Ways
Rainy Day Women 12 And 35
Rainy Day Women 12 And 35 (ver. 2)
Rainy Day Women 12 And 35 (ver. 3)
Rambler Gambler
Rambling Gambling Willie
Rambling Gambling Willie (ver. 2)
Red Cadillac And A Black Moustache
Remember Me
Restless Farewell
Return To Me
Ring Them Bells
Ring Them Bells (ver. 2)
Rise Again
River Theme
Rock Salt And Nails
Roll On John
Roll On John (ver. 2)
Romance In Durango
Ruben Remus
Sad Eyed Lady Of The Lowlands
Sally Girl
San Francisco Bay Blues
Santa Fe
Sarah Jane
Saving Grace
Scarlet Town
See That My Grave Is Kept Clean
Senor (ver. 2)
Series Of Dreams
Seven Days
Shake Sugaree
She Belongs To Me
She Belongs To Me (ver. 2)
She Belongs To Me (ver. 3)
She Belongs To Me (ver. 4)
Shelter From The Storm
Shelter From The Storm (ver. 2)
Shelter From The Storm (ver. 3)
Shelter From The Storm (ver. 4)
Shelter From The Storm Alternate
Shes No Good
Shooting Star
Sign Language
Sign On The Window
Sign On The Window (ver. 2)
Silver Dagger
Simple Twist Of Fate
Simple Twist Of Fate (ver. 2)
Simple Twist Of Fate (ver. 3)
Slow Train
Solid Rock
Somebody Touched Me
Someday Baby
Someday Baby (ver. 2)
Someones Got A Hold Of My Heart
Someones Got A Hold Of My Heart (ver. 2)
Something There Is About You
Song To Woody
Song To Woody (ver. 2)
Spanish Harlem Incident
Spanish Harlem Incident (ver. 2)
Spanish Is The Loving Tongue
Spirit On The Water
Stand By Faith
Standing In The Doorway
Stay With Me
Stay With Me (ver. 2)
Step It Up And Go
Step It Up And Go (ver. 2)
Stop Crying
Stuck Inside A Mobile
Stuck Inside Of Mobile
Stuck Inside Of Mobile (ver. 2)
Subterranean Homesick Blues
Subterranean Homesick Blues (ver. 2)
Sugar Baby
Sweetheart Like You
Sweetheart Like You (ver. 2)
Sweetheart Like You (ver. 3)
Talking Bear Mountain Picnic
Talkin John Birch Paranoid Blues
Talkin New York
Talkin World War Iii Blues
Talkin World War Iii Blues (ver. 2)
Tangled Up In Blue
Tangled Up In Blue (ver. 2)
Tears Of Rage
Tears Of Rage (ver. 2)
Tell Me
Tell Me That It Isnt True
Tell Me That It Isnt True (ver. 2)
Tell Me That It Isnt True (ver. 3)
Tell Ol Bill
Tell Ol Bill (ver. 2)
Tempest (ver. 2)
Temporary Like Achilles
The Ballad Of A Thin Man
The Ballad Of Frankie Lee And Judas Priest
The Ballad Of Frankie Lee And Judas Priest (ver. 2)
The Ballad Of Frankie Lee And Judas Priest (ver. 3)
The Christmas Song
The Death Of Emmett Till
The Death Of Emmett Till (ver. 2)
The French Girl
The Grooms Still Waiting At The Altar
The Lonesome Death Of Hattie Carolls
The Lonesome Death Of Hattie Carroll
The Lonesome Death Of Hattie Carroll (ver. 2)
The Lonesome Death Of Hattie Carroll (ver. 3)
The Love That Faded
The Man In Me
The Man In Me (ver. 2)
The Man In The Long
The Mighty Quinn
The Mighty Quinn (ver. 2)
The Mighty Quinn (ver. 3)
The Night We Called It A Day
The Times They Are A-Changin
The Times They Are A-Changin (ver. 2)
The Times They Are A-Changin (ver. 3)
The Times They Are A-Changin (ver. 4)
The Times They Are A-Changin (ver. 5)
The Times They Are A-Changin (ver. 6)
The Times They Are A-Changin (ver. 7)
They Killed Him
Things Have Changed
Things Have Changed (ver. 2)
Things Have Changed (ver. 3)
Thirsty Boots
This Evening So Soon
This Evening So Soon (ver. 2)
This Wheels On Fire
This Wheels On Fire (ver. 2)
This Wheels On Fire (ver. 3)
This Wheels On Fire (ver. 4)
Thunder On The Mountain
Thunder On The Mountain - Video
Tight Connection To My Heart
Time Passes Slowly
Time Passes Slowly 1
Time Passes Slowly 2
Tiny Montgomery
To Be Alone With You
To Fall In Love With You
To Make You Feel My Love
To Make You Feel My Love (ver. 2)
Tomorrow Is A Long Time
Tomorrow Is A Long Time (ver. 2)
Tomorrow Is A Long Time (ver. 3)
Tomorrow Night
Tomorrow Night (ver. 2)
Tonight Ill Be Staying Here With You
Tonight Ill Be Staying Here With You (ver. 2)
Tonight Ill Be Staying Here With You (ver. 3)
Too Much Of Nothing
To Ramona
To Ramona (ver. 2)
To Ramona (ver. 3)
Tough Mama
True Love Tends To Forget
Trying To Get To Heaven
Trying To Get To Heaven (ver. 2)
Two Sisters
Under The Red Sky
Under The Red Sky (ver. 2)
Under Your Spell
Union Sundown
Up To Me
Up To Me (ver. 2)
Visions Of Johanna
Visions Of Johanna (ver. 2)
Visions Of Johanna (ver. 3)
Vomit Express
Wagon Wheel
Walkin Down The Line
Walkin Down The Line (ver. 2)
Walking Down The Line
Wallflower (ver. 2)
Walls Of Red Wing
Walls Of Red Wing (ver. 2)
Watching The River Flow
Watered-Down Love
Water Is Wide
We Better Talk This Over
Wedding Song
Wedding Song (ver. 2)
Went To See The Gypsy
What Can I
What Can I Do For You
What Can I Do For You (ver. 2)
What Good Am I
Whatll I Do
What Was It You Wanted
When First Unto This Country
When He Returns
When I Paint My Masterpiece
When The Deal Goes Down
When The Deal Goes Down (ver. 2)
When The Deal Goes Down (ver. 3)
When The Night Comes Falling From The Sky
When The Ship Comes In
When The Ship Comes In (ver. 2)
When The Ship Comes In (ver. 3)
When The Ship Comes In (ver. 4)
When The Ship Comes In (ver. 5)
When The Ship Comes In (ver. 6)
When You Gonna Wake Up
Where Are You
Where Are You Tonight Journey Through Dark Heat
Where Teardrops Fall
Where Teardrops Fall (ver. 2)
Who Killed Davey Moore
Why Try To Change Me Now
Wieviele Strassen
Wild Flower Garden
With God On Our Side
With God On Our Side (ver. 2)
With God On Our Side (ver. 3)
With God On Our Side (ver. 4)
Workingmans Blues 2
Workingmans Blues 2 (ver. 2)
Workingmans Blues 2 (ver. 3)
World Gone Wrong
World Gone Wrong (ver. 2)
World Gone Wrong (ver. 3)
Yea Heavy And
Yea Heavy And A Bottle Of Bread
You Aint Goin Nowhere
You Aint Goin Nowhere (ver. 2)
You Aint Goin Nowhere (ver. 3)
You Aint Goin Nowhere (ver. 4)
You Aint Goin Nowhere (ver. 5)
You Angel You
You Belong To Me
You Belong To Me (ver. 2)
You Belong To Me (ver. 3)
You Dont Have To Do That
Your A Big Girl Now
Youre A Big Girl Now
Youre A Big Girl Now (ver. 2)
Youre Gonna Make Me Lonesome When You Go
Youre Gonna Make Me Lonesome When You Go (ver. 2)
Youre Gonna Make Me Lonesome When You Go (ver. 3)
Youre Gonna Quit Me
Youre No Good
Youre No Good (ver. 2)
Youre No Good (ver. 3)